Cook
Julius Stockfleth, marine and landscape painter, was born in Wyk auf 
Föhr, Schleswig-Holstein, on January 29, 1857, son of Friedrich August 
and Louise (Hansen) Stockfleth. His father was a ship joiner and sailor,
 and his mother was an "innkeeper for the suite of Christian VIII" of 
Denmark. The parents immigrated to the United States during the 1870s. 
Stockfleth's early artistic training occurred in Wyk, where he was 
apprenticed to a local painter. 
He immigrated to the United 
States in 1883 and settled in Galveston two years later. He listed 
himself as a portrait painter until he returned to Germany in 1907, 
where he continued his art career in Wyk until his death. He never 
married. During two decades in Texas, Stockfleth produced a valuable 
artistic record of historic Galveston. His paintings of the Galveston 
hurricane of 1900 are a valuable record. His contribution to Texas art 
is most notable in ship portraits. His first identifiable Texas work, a 
view of the Galveston wharves in 1885, is in the collection of the 
Rosenberg Library, Galveston, the only major public repository of his 
works in the United States. Although often viewed as naive in treatment,
 Stockfleth's paintings present bright colors and precise detail with 
clear representational images of old Galveston's ships, whether sailing 
vessels, steamers, freighters, fishing schooners, pilot boats, tugs, 
towboats, or barges. Other vessels that he depicted, such as clipper 
ships, racing yachts, and United States Navy battleships, may never have
 visited the port and were probably painted from photographs or prints. 
No
 previous artist left as complete a picture of Galveston and western 
Gulf Coast shipping as did Stockfleth. Of particular historical interest
 was the series of paintings, some of which survive only in postcard 
reproductions, that documented the hurricane of September 8, 1900, which
 devastated Galveston and took more than 6,000 lives. Stockfleth painted
 scenes of the inundated streets and buildings destroyed by waves and 
wind. A later series pictured the new Galveston seawall, the causeway to
 the mainland, and grade-filling canals used in raising the level of the
 city after the storm. These works, along with his portraits and 
paintings of houses and a few Galveston Island landscapes, form a unique
 local record of Galveston at the turn of the century. Stockfleth died 
in Germany in 1935. 
BIBLIOGRAPHY: James Patrick McGuire, Julius 
Stockfleth (San Antonio: Trinity University Press, 1976). Pauline A. 
Pinckney, Painting in Texas: The Nineteenth Century (Austin: University 
of Texas Press, 1967).